论文部分内容阅读
子弟书作为一种极具文学价值的诗赞体曲艺,其对《红楼梦》的接受与重构呈现出世俗化与诗化两种倾向。在主题上,《红楼梦》子弟书既表现出对“公子与红妆”传统言情范式的回归,又或多或少寄寓了创作者浮生若梦的人生喟叹;在人物的改造上,既突出了宝玉的多情和对爱情的坚贞,又赋予了他金貂公子的调笑与轻浮,而晴雯的温柔和顺、贞节贤德,也与原著大不相同;在情节上,既有对原著琼花碎玉式的小情节搬演,又有独立主脑的大故事重构;在语言上,浓烈的赋笔抒情、华艳多姿的文辞反映出子弟书创作者非凡的艺术功力及其对《红楼梦》诗美特征的传承。
As a kind of poetic music of great literary value, ZiDiShu's acceptance and reconstruction of “Dream of Red Mansions” show two kinds of tendencies of secularization and poeticization. On the subject, the book of A Dream of Red Mansions shows both the return to the traditional romance paradigm of “the son and the red makeup”, and more or less the sigh of life in which the creator is born; if the character is transformed, The gem of passion and love of faithfulness, but also given him the gold mink son of the teasing and frivolous, and gentle gentle gentle, virtuous virtues, but also with the original very different; in the plot, both on the original Qionghua broken Jade style of the little plot to move, but also the independent story of the main story of the reconstruction; in the language, strong lyric writing, Hua Yan colorful rhetoric reflects the children's book creators extraordinary artistic skill and its “Dream of Red Mansions” poem Inheritance of the United States characteristics.