许多人,包括电影界的一些同志都认为《苏醒》不易看懂.我看了两遍仍然感到有些朦胧,于是我又拜读了主要创作者之一、编剧兼导演滕文骥同志的文章,反复琢磨,似乎得到了一点启示。滕文骥同志写道:“我们想表现今天的青年,如何从‘伤痕’中解脱、苏醒、振奋起来,为社会主义建设奋斗”(见《电影故事》八一年五期《<苏醒>的表现手段》一文)。从影片的实际来看,这个立意是明确的,是可以被感受到的,而且具有较强的现实意义。作者通过对几位不同男女青年的描写,着力要表现青年一代精神振奋、自立自强的时代风貌.但在我看来,体现这种精神的,并不是作者倾注全部心血所刻画的理想人物苏小梅,而是田丹.全片所涉及的两件事——外商卖给南方公司800万元进口设备的原设计问题及田家在彭芳、苏小梅当中选择未来的媳妇——都和田 Many people, including some comrades in the movie industry, think that “awakening” is not easy to read and I still feel a little vague after reading it twice. So I read one of the main creators again and the commentary by comic writer and director Teng Wenji pondered over and over again. Seems to be a little inspiration. Comrade Teng Wenji wrote: “We want to show how today’s youth can be freed from ’scars’, awakened and revived, and strived for socialist construction’ (see” The Expressive Means of “ ”One article). From the film’s actual point of view, this conception is clear, it can be felt, but also has a strong practical significance. Through the description of several young men and women, the author tries hard to show the youthful spirit of the times, but in my opinion, this spirit is not the author’s devotion to the ideal figure portrayed by all the painstaking efforts. , But Tian Dan.The whole film involves two things - the original design of foreign equipment sold to the South company 8 million yuan of imported equipment and Tian in Peng Fang, Su Xiaomei which choose the future of the wife - are Wada