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发生在20世纪后期的空间转向使得文学研究突破了过分重视时间向度的范式,空间成为与时间并重的研究对象,这一转向也为文学研究开拓了新的视阈,在文学文本中,话剧可以称得上是空间感最强的文学样式之一,作为现代话剧经典之作的曹禺的话剧尤其值得深入探讨,他创造的文学空间外在上呈现出丰富的复杂性,内在上隐藏着深层的社会内涵。因而有必要通过对其话剧空间意象的分析来剖析人物深层的心理结构和作者隐含的文化意蕴。
The spatial shift that took place in the late 20th century made literary studies break through the paradigm of paying too much attention to the degree of time, and space became the object of study that parallels the time. This shift opened up a new horizon for literary studies. In literary texts, Can be described as one of the strongest literary style of space, as a classic of modern drama Cao Yu’s drama is particularly worthy of in-depth discussion, he created the literary space on the outside showed a wealth of complexity, inherently hidden deep Social connotation. Therefore, it is necessary to analyze the deep mental structure of the characters and the implied cultural connotations of the author through the analysis of his drama’s space imagery.