“原生态”似乎已经变成了一种时尚,被看作是后现代的标志而受到热捧。当今的少数民族作家,在写作中采取原生态策略,使用本乡本土尤其是本民族题材的,最容易取得成功。这无可厚非。但是,在什么样的“原生态”才是本乡本土和本民族的本色这个问题上,读者存在着简单化的看法和猎奇的心理,少数民族作者也在迎合这种简单化的看法和猎奇的心理,因而出现了一大批津津乐道于奇风异俗,惯于描写“未开化民族”或“落后民族”生存状态的作品,人为地形成了一种“看” “Original ” seems to have become a fashion, was seen as a sign of post-modern blitz. Today’s ethnic minority writers are most likely to succeed in adopting the original ecological strategy in their writing and using local natives, especially their own ethnic themes. This is understandable. However, readers should have a simplistic view and a curiosity about the question of what kind of “original ecology” is the essence of Hongan itself and its own nationality. The minority writers are also catered to this simplistic view and curiosity A large number of works have been rekindled in strange customs and customs and used to describe the state of existence of “uncivilized people” or “backward nations.” Artificially, a “look”