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2001年,浪漫的法国和戛纳国际电影节热情地拥抱了杨德昌的电影《一一》,最佳导演奖的荣誉又一次掀起了世界影坛的华语电影热潮。法国媒体将精妙的词汇毫不吝啬地抛洒出来,“影片叙述了一则简单的家庭故事,真正触摸到了情感的精髓”,“以四两拨千金的娴熟技巧将少女心事、童年困惑、事业危机、家庭纠纷,以及对宗教的慨叹和对时事的讽刺等现代社会日常生活的常态与变调一一呈现出来”,是一则“很普通但很美丽的寓言故事”,是一篇伟大的“生命诗篇”。如此高的评价并非纯粹的溢美之词,而确乎是精确的写照。都市·家庭专家用理论来论说“城市作为一种人类生存环境和文明形态,包含着一整套话语意识形态体系”,杨
In 2001, the romantic French and Cannes International Film Festival enthusiastically embraced the movie “One by One” by Yang Dechang, and the honor of the Best Director Award once again set off a wave of Chinese cinema in world cinema. French media will subtle words sparse out, “the film narrates a simple family story, the real touch to the essence of emotion,” “Four to two dials the skilled skills of the girl’s thoughts, childhood confusion, career crisis , The family disputes, the lamentations of religions and the irony of current events are all manifestations of the daily life in modern society. ”It is a“ very ordinary but beautiful allegory ”and a great“ life Psalms. ” Such a high rating is not a mere memento, but rather a precise portrayal. Urban family experts use theory to say that “the city as a human environment and a civilized form contains a complete set of discourse ideology,” Yang