1949年以降,大陆当代汉语诗歌批评与研究界所呈现的历史书写是暧昧的。暧昧有三。其一,诗歌批评在诗歌的历史原则与美学原则之间游离,含混不清;其二,诗歌批评,尤其是学院派的诗歌批评,其批评视野存在一个盲区,即以民间性接受方式流传的诗歌,它们作为当 In 1949, the criticism of the contemporary Chinese poetry on the mainland and the historical writing presented by the research community are ambiguous. There are three ambiguous. First, poetic criticism is divided and ambiguous between the historical principles and the aesthetic principles of poetry. Second, poetic criticism, especially academic criticism, has a blind spot in its critical field of view, Poetry, they serve as