鲍元恺创作的管弦乐组曲《炎黄风情》自1991年问世以来,已在海内外演出近400场,当仁不让地登上当代演奏最多的管弦乐曲的霸主地位。其巧妙地贯通了中国民歌与西方交响乐之间的沟渠,使海内外的观众都为浓郁的中国风所动容,艺术魅力只增不减。如今重闻这24首精致的民谣组曲,仍有一种沁人心脾的清香味,忍不住要“奋笔疾书”为《炎黄风情》进行介绍性的浅析。 Bao Yuan Kai’s orchestral suite composed of “Yan Huang style” has come out since 1991, has performed at home and abroad nearly 400 games, doing my part to ascend the most contemporary orchestral dominance. It cleverly runs through the ditches between Chinese folk songs and Western symphonies, so that both the audience at home and abroad are moved by the rich Chinese style, and the artistic charm is only increasing. Today, I heard the 24 exquisite ballad compositions, there is still a refreshing fragrance, could not help but “Fen-line” for the “Yanhuang style” for an introductory analysis.