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本文以一次“家谱开光”还愿仪式为研究个案,对岫岩祭祖仪式音乐进行了全面的形态分析。详细记录了整场仪式的用乐流程,从通用性、穿插性和专用性角度归纳仪式所用52首曲调,并将其分为吟诵性、叙述性和抒情性三类表情类型。在结构形式方面,将其总结为平行性结构、对比性结构、起承转合式结构和扩展性结构。最后,将部分曲调与相关曲调进行比较,发现其与江苏民歌、山东民歌和东北“跳神”音乐的联系。
In this paper, a “genealogy open ” vowed ceremony as a case study of Xiuyan ancestral ritual music conducted a comprehensive morphological analysis. The rhythm of the whole ritual is recorded in detail, and the 52 tunes used in the ritual are summarized from the aspects of universality, interspersedness and specialization, and divided into three types of expressions: recital, narrative and lyric. In the aspect of structure, it is summed up as parallel structure, contrast structure, articulation structure and extensibility structure. Finally, the part of the tunes compared with the relevant tunes and found its connection with the Jiangsu folk songs, Shandong folk songs and the northeast “Jue Shen ” music.