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从我在台上第一次演小丑至今已经整整五十年了。其间,我曾演过《汉明妃》中的王龙,《法门寺》中的贾桂,《七侠五义》中的蒋平,《挡马》中的焦光普,《秋江》中的老艄翁,《柜中缘》中的小淘气,《铁弓缘》中的陈母,《拾玉镯》中的刘媒婆,《凤还巢》中的程雪雁,《智取威虎山》中的栾平,《磐石湾》中的零八等。如果要把所有我演过的丑角一一列举出来,恐怕一下谈不透。这里我想先谈谈彩旦的表演。丑角演员既要逗人发笑,又要深入角色的内心世界,从人物性格出发去表演。所以丑角的表演很难,其中彩旦的表演尤难,特别是男彩旦的表演。过去我在旧戏舞台上见过的彩旦是很丑陋的,他
It has been 50 years since I first performed clowning on the stage. In the meantime, I once played Wang Long in Han Ming Fei, Jia Gui in Famen Temple, Jiang Ping in Seven Heroes and Five Righteousnesses, Jiao Guangpu in Qiema, In the middle of cabinet, Chen Nong-po in Tie Tie Yuan, Liu Ma-po in Pick-up Jade Bang, Cheng Xue-yan in Feng Feng Chao, Luan Ping, “Rock Bay” zero eight and so on. If you want to list all the harlequins I have performed, I am afraid I can not talk about it. Here I would like to talk about the performances of Choi Dan. Harlequin actors should not only make people laugh, but also deep inside the inner world of characters, starting from the characters to perform. So harlequin’s performance is very difficult, of which the performance is particularly difficult to Dan Dan, especially the performance of male color Dan. In the past I used to see the old stage in the color is very ugly, he