王夫之的诗学情景论历来为学界所称道 ,但王夫之的诗学“象外论”却被忽视。本文认为 ,尽管情景论在船山那里涉及诗歌意象与诗歌意境两个范畴 ,然而 ,从整体上看 ,情景论在船山诗学体系中主要属艺术意象论。船山诗学的意境论或理想论主要是通过大量的对“象外之美”的研究来体现的。他的“象外”论有着自己的独特的哲学基础 ,从而在对情景与“象外”的关系、“象外”的诗美特征以及通往象外之美的途径等方面 ,与前人的“象外”论相比都有重要的区别与发展 ,显示了封建末世一位杰出的儒家诗学传人的独特的诗艺理想。 Wang Fuzhi’s poetics scene has always been praised by academics, but Wang Fuzhi’s poetics “Xiangwai Lun” has been neglected. This paper argues that while situational theory involves two aspects of poetic imagery and poetic conception in Chuanshan, the situation theory as a whole is mainly in the art of imagery in the Chuanshan poetics system. The artistic conception or idealism of Chuanshan poetics is embodied mainly through a great deal of research on the beauty of the image outside. His theory of “Xiangwai” has its own unique philosophical foundation, so that with the relationship between the scene and “Xiangwai”, the poetic beauty of “Xiangwai” and the way to the outside world, There are important differences and development compared with the “Xiang Xiang Wai” theory, which shows the unique poetic ideal of an outstanding Confucian poetic descendant of the end of feudalism.