90年代以来,商业大潮席卷下的诗坛变得喧嚣而又沉寂。诗歌需要笼括更加驳杂而繁复的日常经验,诗人的创作也陷入了情绪化的宣泄和商业化的炒作当中。在诗歌日益边缘化的时代,诗人张曙光作为90年代诗歌创作中知识分子写作的代表,一直独自坚守着自己的诗歌立场,于止语中对诗歌精神与历史现实进行冷静客观的叩问与反思。本文以《闹鬼的房子》为例分析张曙光诗歌中的止语性书写,旨在探究止语背后所蕴含的诗歌精神,以及作者附着于叙事性诗句中的沉潜诗意,领悟其心系当下、渴望真实的知识分子情怀。 Since the 1990s, the poetry circles swept by the tide of commerce have become noisy and quiet. Poetry needs to include a more complicated and complicated daily experience, poet’s creation is also caught in the emotional catharsis and commercial hype. In the era of increasing marginalization of poetry, Zhang Shuguang, the poet, as the representative of the intellectuals writing in the poetry creation of the 90’s, has always insisted on his own poetry standpoint and conducted a calm and objective questioning and reflection on poetry spirit and historical reality in his speech. This article takes “Haunted House” as an example to analyze the stop writing in Zhang Shuguang ’s poems, in order to explore the poetry spirit behind the stop - talk and the subtle and subtle poetic features that the author attached to the narrative verse. Real intellectual feelings.