索耳在小说中往往会安排一个瞬间——比如,男人依从女人的要求“打开了自己喉咙部位的金属盖”(《你可以再夸我一次吗》);阿瑞将那个“看上去都不像个人”的男人推进海里(《在红蟹涌的下半昼》)——那一刻,严整的现实突然被撕裂出一道口子,悚然地提醒着读者注意:非现实的、异质的空间就此开启了。《你可以再夸我一次吗》中出现了仿生人,读者的预期朝着科幻小说的方向,甚至等待某种异托邦——“在现实社会 Saur often arranges an instant in the novel - for example, a man follows a woman’s request ”“ opens the metal cover of his own throat ”(“ Can you boast me again? ”); No man goes up like a man “(” The next half day in the red crab “) - At that moment, the tight reality was suddenly torn apart and eloquently reminded the reader that unrealistic, Heterogeneous space is opened. ”Can you boast me again?“ Appeared in the bionic people, the reader’s expectations toward the direction of science fiction, and even wait for some kind of different trust - ”in the real world