如果要找出一种绘画形式来最直接、最简洁、最概括地表达视觉感受,并将原始冲动中最有价值的部分充分体现出来的话,那恐怕只有素描这一手段了。素描最初只是作为一种为学习绘画而进行的基础训练的方式而存在的,人们在有感要发时便信手拈来,随心所欲地勾上几笔,并不当它是严谨的创作,更不指望它能撼人心魄。也许正因为如此,素描却成了绘画者在最放松的心态下,对自身一次又一次哪怕是最微小的心灵感触和感情冲动的最直接的表述结果——倘若能静下心来仔细地研读并揣摩大师的素描作品,那些延绵流畅的线条所概括出的活的形体便是最好的佐证。出于真实情感的自然流露,往往是 If you want to find out a painting form that most direct, concise, most general expression of visual experience, and the original impulse of the most valuable part of the full expression, I am afraid that only the sketch of this means. Sketches originally existed as a form of basic training for learning to draw, and it was not as rigorous as creation, let alone expectation, that people would know what to expect when they felt ready Awesome Perhaps because of this, sketches become the most straightforward expression of time and again, even the slightest psychic and emotional impulses of the artist in the most relaxed state of mind - if he can stop and study carefully Trying to figure out Master’s sketches, the living figures outlined by those smooth lines are the best evidence. Often expressed by the natural expression of true emotion