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《画刊》:首先祝贺你在武汉合美术馆的手稿作品展成功举办!国内很少有艺术家做纯手稿作品的展览,你选择这样做的原因是什么?傅中望:展出手稿主要是出于策划人孙振华和学术主持鲁虹的提议。手稿基本上反映的是我创作的一些思考,但从平面绘画的角度而言,它其实不具备绘画性和完整性,比较零碎,所以我开始没有想到要做手稿的展览。不过他们觉得手稿对一个雕塑家来说非常有
First of all, I congratulate you on the successful exhibition of the manuscripts presented at the Wuhan Art Museum. There are very few exhibitions in China dedicated to pure manuscripts. What are your reasons for choosing to do so? Fu Zhongwang: The manuscripts are mainly for exhibitions Planner Sun Zhenhua and academic chair Lu Hong’s proposal. The manuscript basically reflects some of my ideas, but from the perspective of plane painting, it does not actually have the characteristics of painting and completeness and is fragmentary. Therefore, I did not start to think about the exhibition to be manuscript. But they think the manuscript is very much for a sculptor