中国画中的“重彩”语言,相对于水墨语言的笔墨中心而言,便转向了笔与彩。赵彦峰的重彩山水具有一种强烈的视觉诱惑力,让人读过欣喜而陶醉。我以为,好的作品的艺术性一定首先来自这种视觉的诱惑力。直接的视觉美感,是赵彦峰重彩山水画的一个至为重要的创作诉求。他在创作中十分注重把握色、线、形、质等绘画元素之间的关系,并以敏锐 The “heavy color” language in Chinese painting turns to pen and color in contrast with the ink and wash center of ink and wash language. Zhao Yanfeng’s heavy color landscape has a strong visual allure, people read happy and intoxicated. I think the artistry of good works must first come from the temptation of this vision. Direct visual aesthetics, Zhao Yanfeng heavy color landscape painting an important creative appeal. In his creation, he places great emphasis on the relationship between the elements of painting, such as color, line, shape and quality,