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在现代艺术以前,表现美与崇高一直是艺术观念的一大主流。艺术作品追求审美认知和审美创造。创新是艺术的生命,古往古往今来一向如是,而反叛和否定,可以说是当代艺术中的一个重要的美学特征,观念艺术家们顺应时代的风潮,高举起了“反”的旗号,强调艺术的认知功能,认为审美对认知起着阻碍作用,应该放弃艺术的审美功能。甚至作用旧有的美学价值提出了新的挑战。然而当观念艺术介入绘画,由于绘画这一传统的观念表达方式天然带有审美创造的倾
Before modern art, the expression of beauty and loftiness has always been a major mainstream of the concept of art. Art works pursue aesthetic cognition and aesthetic creation. Innovation is the life of art. It has always been the same in ancient and modern times. Rebel and negation can be regarded as an important aesthetic feature in contemporary art. The concept artists follow the trend of the times and hold the banner of “anti”, emphasizing Art’s cognitive function, that aesthetic play a blocking role in the recognition, we should give up the aesthetic function of the arts. Even the role of the old aesthetic value posed new challenges. However, when conceptual art intervenes in the painting, the traditional way of expressing the image due to painting naturally leads to aesthetic creation