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走过三十多年的中国电视喜剧小品行走出重形式——重内容——内容形式并重——重形式的清晰曲线图。20世纪80年代末期之前注重形式,主要依赖滑稽的形体表演;20世纪90年代中前期,电视喜剧小品编创及表演者队伍迅速壮大,小品走上了重视叙事和社会讽喻的内涵发展之路;90年代中后期电视喜剧小品在继承90年代前期叙事和讽喻传统的同时开始了形式自觉,开辟歌舞狂欢的喜剧审美领域;进入到新世纪,电视喜剧小品的形式自觉发展到游戏化阶段,注重玩味智力因素和游戏规则,因此狡黠替代讽喻成为这一时期最为显著的喜剧审美范畴。
Over 30 years of Chinese TV comedy comedy walked out of heavy form - heavy content - the content form of both - a clear form of clear charts. Before the end of the 1980s, it focused on forms and mainly relied on comic physical performances. In the mid-1990s, the composition and performers of TV comedy sketches grew rapidly and the sketches stepped onto the connotation development path of narrative and social allegory. In the mid and late period, TV comedy sketches began to take the form of self-awareness while opening up the tradition of narration and allegory in the early 1990s and opened up the field of comic aesthetics of comedies and revelry. In the new century, the form of TV comedy sketches developed consciously to the stage of gamification, Factors and rules of the game, so sly alternative allegory as the most significant comedy aesthetic category of this period.