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拼贴是后现代主义两大主要特征之一。美国后现代派小说家托马斯·品钦的《万有引力之虹》是充满随意组合的无关碎片的巨大迷宫,中国先锋作家刘索拉的《女贞汤》呈现出零散化和平面化。本文将运用后现代主义理论和叙事学理论从跨时空拼贴叙事方面对两个文本中的例子做一个比较,从而使读者更深的了解在当今的消费时代和大众文化的潮流中,在高科技的影响下,两种不同文化碰撞后的融合。
Collage is one of the two main features of postmodernism. Thomas Pynchon’s postmodernist novelist Rainbow of Thousands of Gravitation is a huge labyrinth of irrelevant fragments full of random combinations. The “Primus Soup” by Chinese avant-garde writer Liu Sola shows fragmentation and planarization. This article will use the theory of postmodernism and narratology to compare the examples in the two texts from the cross-space collage narrative, so as to make the readers understand more deeply that in the current consumption era and pop culture, Under the influence of two different cultures after the collision of fusion.