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1976年2月,我在中苏接壤的边境地区采访知青女民兵,选择一排疏密相间的树木作前景,以林海及群山作为远景,让肩挎钢枪的女民兵在雪地中巡逻,构成一幅美丽的景观图画。这是在电影中常见的画面,人物在前景与远景的中间地带行进,这种构图会增强动感。2003年7月,国际摄影泰斗亨利·卡蒂埃-布勒松因看过《红色新闻兵》《法文版书名是《一位中国摄影家的小红书》)后,盛情邀请我从巴黎到阿尔勒会面,他说很喜欢《红色新闻兵》中我拍的均带有底片黑边框的照片。他一生
In February 1976, I interviewed young female militiamen in the border areas bordering China and the Soviet Union, selected a row of densely-spaced trees for prospects, and used the forest and mountains as their vistas to patrol female snow guards in the snow , Form a beautiful landscape picture. This is a common picture in the movie, with characters moving in the middle of the foreground and the future, and this composition enhances the movement. In July 2003, the international photography expert Henry Catere-Bouleson, after reading “The Red Press” and the French title as “Little Red Book of a Chinese photographer”, invited me from Paris When he met Arles, he said he liked the pictures I had both the black border and the negative border in the Red Press. His life