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《文心雕龙.谐隐》篇是《文心雕龙》文体论论有韵之文的最后一篇,刘勰以专篇的形式给予了谐辞、隐语应有的地位。在谐隐之风颇为盛行的魏晋南北朝,刘勰在注意并认同它们的基础上,详细介绍并分析了谐辞与隐语这两种文体。由此,我们可以窥见刘勰对民间文学持有的态度,这关涉到《谐隐》篇的意义问题,从而也从客观上突显出《谐隐》篇的价值所在。
“Wen Xin Diao Long. Harmony hidden” articles is “Wen Xin Diao Long” stylistic theory of the rhyme of the last article, Liu Xie in the form of monographs to give the harmonic speech, hidden language due status. In the Wei, Jin, Southern and Northern Dynasties, where Wei and Jin Dynasties and North and South Dynasties, in which the style of harmonic concealment prevailed, on the basis of paying attention to and recognizing them, Liu Xie introduced and analyzed in detail the two styles of harmonic language and hidden language. Therefore, we can get a glimpse of Liu Xie’s attitude towards folklore, which is related to the meaning of “harmony hidden”, which also objectively highlights the value of “harmony hidden”.