《归田赋》和《归去来兮辞》同为归田之作,却颇有不同。最直观的是“归”的轨迹不同。张衡、陶潜分别沿着一条直线:尘世→田园和一个圆圈田园→尘世→田园而归。由此透射出二人心中家园的不同:张家在尘世,陶家在田园。其价值取向和人格形象也因此清晰地展现了出来。而其平生的经历和文学作品的基调恰是证明。 “Returned to Tin Fu” and “go back and come to Ci” with the same for the return of the work, but quite different. The most intuitive is the “return” of the different trajectories. Zhang Heng, Tao Qian, respectively, along a straight line: earth → idyllic and a circle pastoral → earth → pastoral and go. This reveals the difference between the two hearts of their homes: Zhang in the earth, Tao in the pastoral. Its value orientation and personality image are therefore clearly shown. The experience of his life and the tone of literary works exactly prove.