不少人把古希腊悲剧看作“一悲到底”的典型,古希腊悲剧果真与“大团圆”绝缘了吗?事实并非如此。古希腊悲剧家也一样地常用“大团圆”来作为悲剧的收场;在古希腊悲剧中,喜剧因素并不少见。 首先,被称为“悲剧之父”的埃斯库罗斯(公元前525?—前456)的代表作《普罗米修斯》三部曲,就是“大团圆”式的悲喜剧。在其第二部《被释的普罗米修斯》中,普罗米修斯和宙斯和解了,宙斯叫自己的儿子赫刺克勒斯释放了他。在现存的第一部《被缚的普罗米修斯》中,最后普罗米修斯被宙斯用雷电打入幽暗 Many people regard the ancient Greek tragedy as a typical example of “a tragedy to the end”. Is the ancient Greek tragedy insulated from the “happy reunion”? This is not the case. Ancient Greek tragedy is also commonly used “happy” as the tragedy ended; comedy in the ancient Greek tragedy, the factors are not uncommon. First of all, the trilogy of “Prometheus”, the representative of Aeschylus (525? - 456 BC) known as the “father of tragedies”, is a “happy and reveling” comedy. In his second “Prometheus being released,” Prometheus reconciled with Zeus, and Zeus called his own son Hercules to release him. In the extant first “Prometheus Bondage,” Prometheus was finally plunged into darkness by Zeus using lightning