“文革”期间毛泽东主题绘画是中国传统文化“内圣外王之道”和“君、臣、父、子”礼仪关系的图式表现,其构成了“文革”时期独立的史学意义和学术价值,在特定的历史条件下显示出特有的主题特征。 During the “Cultural Revolution”, Mao Zedong’s thematic painting represented the relationship between traditional Chinese culture and “etiquette of the inner and outer kingdoms” and “etiquette of the king, minister, father and son”, which constituted the independence during the “Cultural Revolution” The historical significance and academic value, in the specific historical conditions show the unique theme features.