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由中国艺术研究院美术研究所与《诗书画》杂志编辑部联合主办的关于“衲子现象”的对话活动,于2017年7月24日在中国艺术研究院举行。对话嘉宾有美术研究所所长牛克诚、《诗书画》杂志主编寒碧、天津美院教授阎秉会、现代水墨画家张进、美术研究所副研究员朱京生等人,美术研究所部分学者及衲子先生学生、资深藏家二十余人参加。衲子先生1940年出生于北京,1956年师从张惠中先生习书法、兰竹,1958年复师从王雪涛、汪慎生研习写意花鸟画,受到严格系统的中国画训练,并在两位先生的影响下,
The Dialogue on “Bangzi Phenomenon ” jointly sponsored by the Institute of Fine Arts of China Academy of Art and the Editorial Department of “Poetry, Calligraphy and Painting” was held on July 24, 2017 at the China Academy of Art. Guests of the dialogue include Niu Kecheng, director of the Institute of Fine Arts, Han Bi, editor in chief of Poetry and Calligraphy, Yan Binghui, professor of Tianjin Academy of Fine Arts, Zhang Jin, a modern ink painter, Zhu Jingsheng, associate researcher of the Institute of Fine Arts, More than 20 senior collectors attended. Mr. Bianzi was born in Beijing in 1940. In 1956, he worked with Mr. Zhang Huizhong, calligraphy and Lanzhu. In 1958, he worked with Wang Xuetao and Wang Shensheng to study freehand bird and flower painting. After being trained strictly in systematic Chinese painting, and under the influence of the two gentlemen,