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风景,一直是我喜欢的绘画主题。 我的风景画一般都比较大,尽管构思各自不同,每次作画的过程都比较严格,怎么开头怎样收尾,事先都有所设想。一种富于逻辑和秩序的有效的工作方法,是从我的导师马一平先生那里学得的,可以说是典型的新学院派方法。它要求完整,这种完整不是表面的,这是自塞尚以来的新学院派的显著特征。按照这个体系,画面上的形式要素,都要处于对比关系中,而且要不断调整它们,直至画面上形成一个完整的结构。作为专业画家,我总是极为关注作品搞得如何。我深知只有顽强持久的工作才能得到某些站得住脚的的东西。
Landscape, has always been my favorite painting theme. My landscapes are generally large, despite the different ideas, each painting process is more stringent, how the beginning of the end how, have presumed. A logical and orderly method of working is learned from my mentor, Mr. Ma Yiping, and can be said to be a typical neo-academic approach. It requires integrity, and this integrity is not superficial; it is a salient feature of the new academic school since Cezanne. According to this system, the form elements on the screen must be in a comparative relationship, and they must be constantly adjusted until the picture forms a complete structure. As a professional painter, I always pay close attention to how the work is done. I know very well that only tenacious and long-lasting work can get something that is solid.