大庭美奈子是经历过原爆灾难的日本战后“内向的一代”代表作家,其文学深受鲁迅《野草》影响,创作过“野草”系列作品。《浦岛草》是她对原爆体验的倾情书写,也是大庭“野草”系列创作中的重要篇章,被认为是日本原爆文学最重要的代表作之一。基于《浦岛草》的创作动机和小说主题均与作家的原爆体验密切相关,本文将在考察“浦岛草”意象丰富的传统文化内涵与镇魂表达的关联中,分析大庭以《浦岛草》为中心的原爆题材作品,从对广岛原爆中牺牲者的镇魂、对战后日本社会整体遗忘原爆灾难的不满来考察《浦岛草》的镇魂特质,揭示大庭《浦岛草》等原爆题材作品镇魂特质的现实意义,即真正的安魂需要永不遗忘,需要活在当下的我们每个人时时检讨当下的行为,警惕是否同样蕴含着某些可能再度引发原爆灾难的文化基因。 Akutagi Akiko is Japan’s post-war “inward-looking generation ” representative writer who experienced the first explosion disaster. His literature has been influenced by Lu Xun’s “weeds” and has created a series of works on “Weeds”. “Urajima Grasses” is an important part of her writing of the original explosion experience and also an important chapter in the creation of the family drama “Wild Grass.” It is considered as one of the most important masterpieces of Japanese atomic explosion literature. Based on the motive of writing and the subject of the novel based on “Urajima Grass”, which are closely related to the writer’s original explosive experience, this essay will analyze the relationship between the traditional style of “Urashima” Urajima grass “as the center of the original works of the theme of the explosion, Hiroshima from the victims of the original soul of the town, after the war Japanese society as a whole forgotten the original blast disaster disastrous to examine the” Urado grass “spirit of the town soul, reveal the court” Urajima grass "The real significance of the soul-stirring traits such as the original theme of the original explosion, that is, the real soul needs never forget, need to live in the moment we each review the current behavior, vigilance also contains some may lead to the original explosion of the disaster again culture gene.