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至今仍然身为编辑的杨红樱,从十九岁起开始从事少儿文学创作。从作家出版社推出《女生日记》、《男生日记》起,“杨红樱校园小说系列”销售已过百万册。去年7月,接力出版社又全力打造“淘气马小跳系列”,至今已推出十二种,销售一百六十八万册。新近出版的“杨红樱童话系列”首印三十万册,也在不到一个月的时间里销售一空。一时间,杨红樱成为“畅销书”的代名词,各家出版社争相约稿,业界也开始关注少儿畅销书的本土化话题。杨红樱作品的走俏,到底是偶然还是必然?编辑身份与作者身份她到底更看重哪一个?借桂林书市的闲暇,本刊对杨红樱进行了专题采访。
Yang Hongying, still an editor, has been working on children’s literature since the age of nineteen. Since the writer’s publication of “Diary of Girls” and “Diary of Boys,” the “Hong Yang Ying School Novel Series” has sold over 1 million copies. In July last year, Relay Publishing House also devoted itself to building “Naughty Horse Jumping Series”, so far it has launched 12 kinds and sold 1.68 million copies. The newly printed “Yang Hong Ying Fairy tale series” first printed 300,000 copies, also sold out in less than a month’s time. For a time, Yang Hongying became synonymous with “bestseller”, various publishers compete for the draft, the industry has also begun to focus on children’s bestseller localization topic. Yang Hongying popular works, in the end is by chance or inevitable? Editing identity and author identity which she value more in the end? By Guilin Book Fair leisure time, the publication of Yang Hongying conducted a special interview.