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人物画作为中国画的三大画科之一,曾经在中国绘画史上占有举足轻重的地位。在绘画还没有独立发展起来之时,人物画是主要的绘画表现方式,曾经承担过重要的政治和教化功能。自从宋元文人画兴起以来,绘画的愉悦性和抒情性成份逐渐取代了绘画的社会功能性,人物画的辉煌地位也让位于山水和花鸟两大画科,特别是禅宗思想的兴起,强调天人合一的山水画逐渐成为中国画的主要画科,而人物画在明清时期曾一度衰落。20世纪以来,随着西学东渐的过程,西方写实主义由徐
Figure painting as one of the three major Chinese painting, once in the history of Chinese painting occupies a pivotal position. While painting has not developed independently, figure painting is the main form of painting and has once assumed important political and educational functions. Since the rise of the literati in the Song and Yuan Dynasties, the delightful and lyrical composition of the painting has gradually replaced the social function of painting. The brilliant position of figure painting has also given way to the rise of landscapes and flowers and birds, especially the rise of Zen Buddhism. The landscape painting of harmony between man and nature gradually became the main painting section of Chinese painting, while the figure painting declined once in the Ming and Qing Dynasties. Since the 20th century, with the gradual progress of western learning, Western realism has been promoted by Xu