熟悉二十世纪舞蹈史的人，在提起三位居住在纽约的编舞大师巴兰钦、玛莎·格蕾姆和坎宁汉时，无不深怀敬意。这三位编舞大师尽管风格殊异，但艺术创造活动的基本意向却惊人地一致，他们都属于那种从人类的生存境况、从更为广阔的文化视角来考虑舞蹈艺术的历变性人物，而不是一 People who are familiar with the history of twentieth-century dance are deeply respected when they bring up three of the choreographers Balanchine, Martha Graham and Cunningham living in New York City. Although these three choreographers have different styles, the basic intention of artistic creation activities is surprisingly consistent. All of them fall into the category of living conditions from mankind. They consider the evolving characters of dance art from a broader perspective of culture, Not one