论文部分内容阅读
走进剧场,看到舞台上硕大的透明玻璃房子和角落里写意的一棵全白的树,即便预先知道话剧版的《桃姐》将全部场景改为养老院,也还是有些意外。电影《桃姐》的调子是灰扑扑的、旧兮兮的,灰灰旧旧的是养老院、是人生的晚景、是香港逝去的一个时代。什么都旧了,所以怀旧。电影以两条线索展开,桃姐中风后主动要求住进养老院,开始了她生命最后的历程;她在梁家帮佣带大的小少爷Roger如今做了电影监制,奔波在大陆和香港之间。养老院的生活是不堪的,挡板拦出来的“单间”狭小逼仄,当镜头扫过一横排丧失自理能力的老人在接受
Into the theater, see the gigantic transparent glass house on the stage and the corner of a freehand white tree, even if the pre-known drama version of “Peach sister” will all scenes to the nursing home, but also some accidents. The movie “Peach sister” tone is gray, the old, old gray gray is a nursing home, is the life of the night, is an era of Hong Kong passed away. Everything is old, so nostalgic. The film started with two clues. After Peking’s stroke, she asked to enter the nursing home to start the final course of her life. Roger, a large young chef who helped her at the Bentley House, is now film supervisor and runs between mainland China and Hong Kong. Nursing home life is unbearable, baffles out of the “single room ” narrow cramped, when the lens swept over a row of elderly people losing their ability to take care of themselves