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公元17世纪时,明清移祚所造成的社会政治生活动荡对中国绘画史的演变亦不无影响。清初出现了一批所谓“遗民”画家,画风大都“奇僻幽深”,最具代表性的便是所谓“四僧”——八大山人、石涛、石谿和渐江,而其中尤以八大山人和石涛声名最著。八大和石涛两人均为明皇室后裔而遭遇了家国破亡之难,这种独特的生活经历不可能不对他们的灵魂产生极大的冲击,并在他们的艺术作品中打上一定的烙印,八大山人的画尤为明显。八大山人(1626-1705年),俗家姓朱,
In the 17th century, the social and political turmoil caused by the shift of the Ming and Qing dynasties also had an impact on the evolution of Chinese painting history. At the beginning of the Qing Dynasty, there appeared a group of so-called “leftist” painters, most of whom were “curious and secluded”. The most representative ones were the so-called “four monks” - Bada Shanren, Shi Tao, Shi Xi and Jian Jiang, To Bada Shanren and Shi Tao most famous. Both the Bada and Shitao, who were descendants of the Ming imperial family, suffered from the ruin of their country. This unique life experience can not have a tremendous impact on their souls and imposes a certain stigma on their works of art. Mountain paintings are particularly evident. Badashanren (1626-1705), the popular surnamed Zhu,