论文部分内容阅读
两汉时期在美术史上画像石(砖)最有代表性,主要分布于山东、河南、四川等地。高句丽早期虽然深受汉文化影响,但未见画像砖,仅见刻石画像一处。高句丽早期未发现书法遗迹,仅见曹魏著名将领毌丘俭伐高句丽得胜后所立的记功碑,碑刻和刻石画像都是高句丽早期遗迹,对研究高句丽早期的政治、军事、生活等由一定的价值,本文通过两个专题分别进行比对研究,提出观点画像石应该为母系崇拜,并进行论证,刻石书法与熹平石经进行比对研究。对高句丽金石研究具有一定的学术价值。
In the history of the Han Dynasty, portraits of stone (brick) were the most representative in the history of art, mainly distributed in Shandong, Henan and Sichuan. Although Goguryeo was deeply influenced by Han culture in the early period, no portrait brick was found, only one was carved in stone. In the early period of Goguryeo, no trace of calligraphy was found. Only the famous monument of inscription by Cao Qiu and the engraved stone inscriptions were all the early relics of Goguryeo. They were of some value to the study of the early politics, military affairs and life of Koguryo In this paper, we compare the two topics respectively, and put forward that the viewpoint picture stone should be matriarchal worship and carry on the demonstration. The stone calligraphy and Xi Ping stone scripture are compared and studied. It has some academic value to the study of Koguryo Persimmon