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故事几乎总是发生在冬天;故事里总是有刺骨的寒风,有时还下着雪,而最后肯定是令人心碎的结局;故事里的人物似乎永远生活在蒙大拿州黑夜的笼罩之下,虚无吞噬着他们,他们和读者一起都感到一个“冷”字。肃杀凄凉大概可以说是美国作家理查德·福特在他的第一本短篇小说集《石泉城》(1987)中所营造的氛围,也是他站在生存的边缘对社会和人生所做出的形象概括:冬天已经降临,起风了,面对茫茫的黑暗,每个人都感到自己是无力的,一种绝望失助的感觉把他们推进一个自己无法把握并且不知道通向何处的轨道。于是,夫妻反目、偷窃、疯狂乃至失手杀人,而所有的肇事者无一不是受害者,给别人,尤其是给自己的亲人带来痛苦的人自己首先是在受痛苦的煎熬。他渺小,他需要生存的勇气;他全身发抖,他渴望抵御严寒的力量。这里,福特通过人在冬天中的命运揭示了他对悲剧的“净化”作用的深刻领悟。
The story is almost always in winter; there is always a bitter wind in the story, sometimes with snow, and in the end it is heartbreaking; the characters in the story seem to live forever in the darkness of Montana , Nothing to swallow them, they feel together with the reader a “cold” words. Chill Desolation is probably the atmosphere created by American writer Richard Ford in his first short story collection, “Shi Quan Cheng” (1987), as well as the social and human life that he stood on the verge of existence Image Summary: The winter has come, the wind, the face of the dark, everyone feel powerless, a sense of hopelessness and helpless them to promote a can not grasp their own and do not know where the track. As a result, the couple turned their backs, stealing, madness and even killing themselves, and all the perpetrators were victims. To others, especially to those who loved their loved ones, was themselves suffering first. He was small and needed the courage to survive; he trembled and he longs to resist the cold power. Here, Ford reveals his deep understanding of the “purifying” role of tragedy through the fate of people in winter.