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古筝,作为我国古典民族乐器百花园当中的一枝艳丽奇葩,因其优美动听的声音以及丰富深刻的表现力而广受世人喜爱,古筝学习者的队伍得到了空前的扩充,古筝艺术由此而焕发新生。然而,长久以来由于各种原因所造成的流派分割以及技法差异较大地阻碍着古筝艺术形成独立而完整的规范体系,古筝艺术的发展、普及、壮大遇到了前所未有的瓶颈。文章从古筝指法规范化问题的历史、文化因素以及指法规范性进程中需要注意的问题两方面进行了分析。
As a wonderful flower in the hundred flower gardens of classical Chinese national musical instruments, the guzheng has been widely loved by the beautiful sounds and rich expressive force. The zheng learners’ ranks have been expanded unprecedentedly, and the art of guzheng has been glowed. newborn. However, for a long time because of various reasons caused by genre segmentation and technical differences greatly hinder the formation of an independent and complete system of guzheng art, guzheng art development, popularization, growth has encountered an unprecedented bottleneck. The article analyzes the historical and cultural factors of the normalization of zither fingering and the problems that need attention in the normative process of fingering.