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本文根据康德《纯粹理性批判》中第一版和第二版的论述,描绘想象力在康德哲学中位置的变化。并对康德在论纯粹知性概念的图型法中对想象力的描述进行考察,从而得出“图型”与想象力的重要关联。在此基础上,关联到海德格尔对于康德想象力的解读,来分析想象力作为建构人对于世界的图像化认识的基础性作用,由此得出想象力在此意义上对美学学科的根本性指导和规约。
Based on the first and second editions of Kant’s Critique of Pure Reason, this article depicts the changes in the position of imagination in Kant’s philosophy. And examines the description of the imagination of Kant on the pictorial method of purely intellectual conception, so as to draw an important connection between the “pictorial” and the imagination. On this basis, it is related to Heidegger’s interpretation of Kant’s imagination to analyze the fundamental role of imagination as a means to construct man’s image of the world. From this, we can draw the conclusion that imagination in this sense is essential to the aesthetic discipline Sexual guidance and regulations.