在中国，自一九八五年美术思潮以来，艺术家们宁愿去说“当下”、“现场”、“近距离”，也不愿意再提“现实主义”。十年动乱结束后，他们发现，自己无法否认当初对现实认识的“真诚”，但是却对自己过去在“真诚”状态下作品所体现的“现实性”感到怀疑和羞愧。这个时期，“? In China, artists have preferred to say “now,” “live,” and “close” since the thought of art in 1985, and they are reluctant to mention “realism.” After the end of the ten-year turmoil, they found that they could not deny the “sincerity” they originally knew about reality, but they were still skeptical and ashamed of the “reality” they had embodied in their work under the condition of “sincerity.” this period,"?