宋神宗熙宁年间,画院的风尚起了一次变化,崔白以全新的艺术面貌,打破了画院中黄家画风的统治局面,开创了平淡天真、质朴生动的新画风,诠释自己对自然生命的真实感受。这一时期,花鸟画不但重视意境之美,也开始注重人文内涵,将主观感受寄托于笔墨淋漓间,宋代花鸟绘画迎来了发展的新高峰。与其说崔白花鸟画画风对“黄体”是一种变革,更确切的说是一种继承和创新 During the reign of Song Shenzong and Xining, the fashion of the art academy played a change. Cui Bai broke the rule of the Huang style in the art academy with a brand-new artistic appearance, and created a plain, naive, fresh and vivid new style of painting, Real feelings of life. During this period, flower and bird paintings not only emphasized the beauty of artistic conception, but also began to focus on the connotation of humanities. The subjective feelings were entrusted to the pen and ink, and the flower and bird paintings of the Song Dynasty ushered in a new peak of development. Not so much Cui Bai flowers and birds painting style of the “yellow body” is a change, more precisely, is a kind of succession and innovation