广告制片人光仔,每天在片场、家、工作室,三点一线地往来,自己形容自己就像是一只转个不停的陀螺。紧张的生活对他来说是单调而乏味的重复,如何打破这沉闷的局面,则是一种对自我的挑战。室内设计师,是他扮演的第二种角色,没想到这个角色居然会带给他许多新的乐趣。广告制片人的工作经验给他带来了设计工作的另类灵感,同样,设计师的身份也为他单调乏味的生活注入了新的活力。这种于广告制片人和设计师之间的角色转换,对光仔而说,如同鱼儿找到了适合的水域,惬意而自如,得心且应手。家的主人黄先生,是光仔的同行兼死党,在这个家的 The advertising producer, Aberdeen, travels in the studio, home, and studio every day, and describes himself as a non-stop spinning top. Tensile life is tedious and dull for him. How to break this gloomy situation is a challenge to self. The interior designer was the second role he played. He did not expect this character to bring him much new fun. The work experience of the advertising producer brought him an alternative inspiration for design work. Similarly, the identity of the designer also injected new vitality into his tedious life. This kind of role change between advertising producers and designers speaks to Guangzai as if the fish had found a suitable water area. Mr. Huang, the owner of the family, is a brother and sister of Guangzai, in this home.