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《游悲》是纳西音乐文学的最高艺术形式,其不仅具有极高的文学价值,更具有重要的社会文化价值。歌词是《游悲》音乐文学的主体,其文学想象在纳西族传统民间音乐文化中起到了至关重要的作用。纳西殉情长诗中的艺术想象与纳西文化在特定历史文化语境下相互影响相互建构的内驱逻辑关系中,共同想象出了一个象征爱情、自由、幸福的“玉龙第三国”。这种殉情审美是特殊历史文化语境下的产物,唯有生活在纳西传统文化中对爱情、自由、幸福至死不渝的纳西人,才会歌唱出那个“活着”的“玉龙第三国”。作者希望通过对《游悲》音乐长诗的艺术想象的分析,使更多的学者关注《游悲》,为纳西族殉情作品的研究不断开辟新的视角。
“Tragedy of Sorrows” is the highest artistic form of Naxi musical literature. It not only has extremely high literary value, but also has important social and cultural values. The lyrics are the main body of the “sad tragedy” music literature, and its literary imagination plays a crucial role in the traditional folk music culture of the Naxi people. The imagination of Naxi long-distance poem and Naxi culture jointly imagine a “third kingdom of the Yulong”, symbolizing love, freedom and happiness in the inter-logic relationship of internalization and mutual construction under the specific historical and cultural context. This kind of love of martyrdom is the product of a special historical and cultural context. Only in Naxi traditional culture can Naxi people, who love, freedom and happiness continue to sing, sing “Yulong Third country ”. The author hopes that by analyzing the artistic imagination of the poem “You Baai”, more scholars pay attention to the “You Shang’ai” and continue to open up new perspectives for the research on the dietrous love works of the Naxi people.