房间谁住在这里,他走了嘛?谁来用这种日常的形式选择物品的样式和用来装饰的室内墙纸。通过日常的使用消磨它们,在离开之前摒弃和遗忘它们吗?这些房间真的曾经有人居住,或者是他们虚构的,从记忆的最深处出现的梦境。内部是戏剧化的装置.马蒂亚斯.维斯提供的道具,然后重新排列再加以点缀,显示出惊人的反差和全新相互联系的形式.视觉空间是过去搁置的场地,是艺术家从信号塔所给出的方向。列车开动、停下、等待、倒退。再装货、连接。然后离开。这些装置包含一些外观奢华、贵族风格的十九世纪主流画家工作室。闪烁着神秘的东方色彩,在装饰华美的房间里性感奢华的材料中悄 Who lives here, he’s gone? Who to use this daily form of selection of objects and wallpaper used to decorate the interior. Destroy them by everyday use, abandon and forget them before leaving? These rooms were once inhabited, or their imaginary dreams, which appear in the deepest memory. The interior is a dramatic device, and the props provided by Matthias Weiss are then rearranged and embellished to reveal astonishing contrasts and new interconnected forms of visual space that was shelved in the past, The direction given. The train starts, stops, waits, goes backwards. Reload, connect. Then leave. These devices include some luxurious, aristocratic nineteenth-century mainstream painter studio. Glittering mysterious oriental colors, quietly decorated with luxurious materials in the beautifully decorated rooms