《卡波特》《点球成金》与《狐狸猎手》。从剧情片处女作到现在,贝尼特仅用三部影片就证明了自己对现实题材敏锐的嗅觉和发现独特切入口的能力。《卡波特》展示了杀手与作家之间的奇特关系:而《点球成金》让我们已然惊叹于“棒球片还可以这么拍”之后,《狐狸猎手》再次刷新了我们对体育片的定义,冷酷、黑暗地勾勒出美国梦的阴影。它们 “Capote” “penalty kick” and “Fox hunter.” From the film debut to the present, Bennett only three films to prove their keen sense of reality on the subject matter and found the unique ability to cut corners. Capote shows the peculiar relationship between killer and writer: and “penalty kick” let us already marveled at the “baseball film can do that”, “Fox hunter” once again refresh our sports film The cold, dark outline of the American dream. they