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西方现代的复调技法主要指的是一种新型创作方法,这种方法和传统的单一调音法有显著区别,伴随传统的调性逐渐走向崩溃与瓦解。很多作曲家在音响、音高、调式调性与音色等音乐组织方面逐渐打破传统调性的观念束缚,开始追求各类具有奇异色彩的音响,这就使得音乐发展方式与手法出现多元化特点,形成百家争鸣现象。例如:巴托克民族音乐派、德彪西印象派与勋伯格表现主义等,简而言之,现代化复调音乐创作,主要强调各个声部旋律的横向发展思维,主要是为了满足作曲家各种审美。本文着重分析了线性对应现代音乐的复调技法主要特征与发展情况,探讨了复风格的对位以及应用情况,以方便人们了解复调技法。
Western modern polyphony mainly refers to a new creative method, which is significantly different from the traditional single tuning method, with the traditional tonal gradually collapse and collapse. Many composers gradually break the shackles of the traditional tonality in the audio organization such as acoustics, pitch, tonality and timbre, and began to pursue all kinds of audio with strange colors, which makes the music development methods and methods appear diversified, Form a hundred schools of thought contend. For example: Bartok ethnic music school, Debussy Impressionism and Schoenberg Expressionism, etc. In short, modern polyphonic music creation, mainly emphasizes the lateral development of various parts of the melody thinking, mainly to meet the composer A kind of aesthetic. This paper analyzes the main features and development of the polyphonic techniques that linearly correspond to modern music, probes into the contraposition of the complex style and its application so as to make it easier for people to understand polyphonic techniques.