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本文通过四个假设,尽力去解读鲁迅在《祝福》中埋藏着的思想性和艺术性,已校正曾经一段时间以来我们对这篇小说主题思想的“偏”。
Through four hypotheses, this article attempts to interpret the ideological and artistic features buried by Lu Xun in Blessings, and has already corrected our “partiality” to the theme of this novel for a long time.