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卡西米尔马列维奇作为俄国前卫艺术的领军人物,他开创了至上主义这一流派,在俄国拉开了反叛传统艺术的序幕。通过对马列维奇黑色至上、红色至上和白色至上三个时期的至上风格作品形式的分析,找寻出他的黑色方块是对纯粹至上主义的探索;随着1917年十月革命的到来,马列维奇受红色革命的影响,开始在至上作品中以纯粹的红色方块来演绎内心情感;又随着其事业开始走向顶峰,马列维奇更以白色方块来突出艺术至高无上的纯粹情感,最终演绎其内在情感的外在理性表达的创作理念。
As the leader of Russian avant-garde art, Casimir Malevich opened the genre of supremacism and opened the prelude to rebellious traditional art in Russia. Through the analysis of the supremacy style works of Marvich in the three periods of black supremacy, red supremacy and white supremacy, finding out his black square is an exploration of pure supremacism; with the October 1917 revolution, Surprisingly influenced by the red revolution, she begins to interpret the inner emotion in a purely red box in the works of supremacy. And as her career begins to peak, the Levitical party will highlight the pure supremacy of the arts with white squares and ultimately interpret its intrinsic The Creative Concept of Emotional External Rational Expression.