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纪录片是一种特殊的影片类型,它的发展历程和类型具有很大的代表性,而且纪实美学和纪录片一起变成了行业的重点。但是一些记录片实在是单调乏味,而且在摄影部分过分的强调摄制参与,使纪录片缺失真实性。本文从纪录片的真实性作为着力点,对作品中的摄影部分进行了深入的探讨,以抓拍为例,对创作的真实性进行了透彻的分析,使这一问题得到更好的解决。
Documentary is a special type of film, its history and type of development is very representative, and documentary aesthetics and documentary together become the focus of the industry. However, some documentaries are really tedious, and the filming section emphasizes filming too much to make the documentary less authentic. In this paper, the authenticity of documentary is taken as the focal point, and the photographic part of the work is deeply discussed. Taking the snapshot as an example, a thorough analysis of the authenticity of the creation is made to solve the problem better.