以往学术界主要看重的是金圣叹通过小说戏曲评点所构筑的文学创作理论 ,而实际上金圣叹的小说戏曲接受理论也很有特色。这主要表现在 :第一 ,金圣叹采用随文批评的方式来表达他对批评对象独到而深刻的理解 ,这对读者的文学阅读和文学接受活动起到了一种导向的作用 ;第二 ,金圣叹对读者在文学接受活动中的主体地位、接受条件和接受能力予以高度的重视和强调 ;第三 ,金圣叹还依据他自己的理解对作为接受对象的原作品进行了删节和改动 ,从而使他自己成为《水浒传》和《西厢记》新文本的名副其实的参与者和创造者 ,同时也使他的接受批评实践由文学接受领域延伸到了文学创作领域 In the past, the main emphasis paid by the academic circles was the literary creation theory of Jin Shengtan which was constructed through the commentaries of the novels of the novel. In fact, Jin Sheng-tan’s theory of novel reception by novels was also very distinctive. This is mainly manifested in the following aspects. Firstly, Jin Sheng-tan expressed his original and profound understanding of critics by using the way of writing criticism, which played a guiding role for readers’ literary reading and literary acceptance activities. Second, Thirdly, based on his own understanding, Kim Seung-tan refreshed and modified the original works which he accepted as objects, making himself a The veritable participants and creators of the new texts of Outlaws of the Marsh and The Romance of the Western Chamber also extend his acceptance of critical practice from the field of literary reception to the field of literary creation