如果不是命运的捉弄,沈从文大约不会放弃他痴迷的文学,然后一头扎进尘封网结的古代服饰中去,聂绀弩怕也很难写出《北荒草》中那些空前绝后的诗句。同样,如果没有那场令人闻之胆寒的现代文字狱,也就不会有胡风的《狱中诗草》。固然,他们所留给后人的都堪称人类文化的不朽精品,但提起来总不免叫人有些心酸。 浙江文艺出版社一九九二年版《胡风诗全编》是迄今为止收录胡风诗作最为完备的版本。因我对新诗素无多少兴趣,所以最初接触胡风的诗,注意力多集中在《狱中诗草》这些旧体诗上面。当然,这些诗字字铁骨,行行血泪,直接映透出作者 If not fated to tease, Shen Congwen about not to give up his obsessive literature, and then plunged into a dusty network of ancient costumes, Nie Gan crossbow afraid it is difficult to write “North Grass” in those unprecedented verses. Similarly, Hu Feng’s “Prison Poem” will not exist without the horrifying, modern-day literary prison. Of course, what they have left for future generations is an immortal product of human culture, but it can not help but feel sad when brought up. Zhejiang Literature and Art Publishing House 1992 edition of “Hu Fengshi” is by far the most complete collection of Hu Feng’s poetry. Because of my interest in the new verse no interest, so the first contact with Hu Feng’s poetry, attention and more concentrated in the prison poem above these old poems. Of course, these poetic words of the word ironic, blood and tears, directly reflect the author