现代生活就像德勒兹所说的“千座高原”一样,我们可能拥有了狂欢与狂奔的空间和可能,然而,曾有过的文化地图失效了,再也没有方位,没有目标,没有人告诉你前方在那里、是什么。短暂的“解放”和“幸福”的体验已经成为过去,代之的却是“千座高原”的巨大空旷给我们造成的恐惧和迷失感:一切都不在我们的把握之中,然而我们又必须走下去。这就是读过徐坤的长篇处女作——《春天的二十二个夜晚》之后的感受。这是一个美丽爱情破产的故事,是一个在“现代性”的旋涡中懂憬、幸福、挣扎、绝望过 Modern life Like Deleuze said, the “Thousand Plateaus”, we may have the space and possibility of carnival and bolted, however, once the cultural map of failure, there is no position, no goals, No one tells you where the front is, what is it. The brief experience of “liberation” and “happiness” has become a thing of the past, and instead it is a sense of fear and loss caused by the vastness of the “Plateau”: everything is not at our grasp However, we must go further. This is the feeling after reading Xu Kun’s long debut album, “Spring’s Twelve Nights.” This is the story of a beautiful bankruptcy of love, a vision, happiness, struggle and hopelessness in the vortex of “modernity”