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传统中国山水画自独立为单独画科,便具有了多重的宇宙情怀属性。也正因为如此,传统山水画具备了直指人心的终极关怀意义。也正是基于这种宇宙观,我的乡土作品方具备一定的文化积淀。宇宙这一概念在战国时期的《尸子》以及《文子·自然》等文献中均有提及,所谓“上下四方曰宇,往古来今曰宙”。那么传统中国山水画创作的这种多重宇宙观念是指什么呢?所谓“宇”是指画家禀受自然大化生机的环境,具体则指画家具有的“天、地、人”三才合一的艺术境界,以及作品中彰显出的活泼生命状态。而
Traditional Chinese landscape painting as a separate painting division, it has a multi-universe sentiment attributes. Precisely because of this, the traditional landscape painting has the ultimate meaning of caring for people. It is also based on this kind of cosmology that my local works have a certain cultural heritage. The concept of the universe was mentioned in the “corpses” of the Warring States period and in “Wen Zi · nature” and other documents. So what is the concept of this multiple cosmos in the creation of traditional Chinese landscape paintings? The so-called “Yu” refers to the environment in which painters are subjected to natural life changes, specifically the artist’s “heaven, earth, and people” Unity of the realm of art, as well as the lively life in the works. and