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目前在中国十七个省区内已发现的岩画中,内容和艺术风格是各不相同的,表现手法也千差万别。但如对岩画按时间顺序作纵向比较,可以发现一个共同的规律:形象造型逐渐走向程式化,是中国岩画的共同的突出的特点,它明显地呈现出由象形到符号化的过渡状态,犹如中国方块汉字走过的历程。岩画形象程式化问题是一项重大的理论问题,需要作专门的研究,本文只能当作引玉之砖。
At present, the rock paintings that have been found in the seventeen provinces and autonomous regions of China are different in content and artistic style, and their performance tactics vary widely. However, if the petroglyphs are compared longitudinally in chronological order, a common law can be found: the image styling gradually becomes stylized and is a common outstanding feature of the Chinese petroglyphs. It clearly shows a transition from pictographic to symbolic, as if Chinese Square Chinese characters through the course. Stylized image of rock paintings is a major theoretical issue, need for special research, this article can only be used as the lead of the brick.